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Index
  • Introduction (1 of 13)
  • Systems (2 of 13)
  • Amplifiers (3 of 13)
  • Sources (4 of 13)
  • Speakers (5 of 13)
  • Rooms (6 of 13)
  • Recording (7 of 13)
  • Wire (8 of 13)
  • Retail (9 of 13)
  • Mail Order (10 of 13)
  • Networking (11 of 13)
  • The Press (12 of 13)
  • Miscellaneous (13 of 13)
  • FAQ: rec.audio.* Intro 2/99 (part 1 of 13)
    Archive-name: AudioFAQ/part1
    Last-modified: 1999/2/1
    Version: 2.14
    
    1.0 Contents:
    
        Part 1 Intro
    	1.0	Contents
    	2.0	Organization
    	3.0	Purpose
    	4.0	Omissions
    	5.0	Credits
    	6.0	Errors and Corrections
    	7.0	Disclaimer
    	8.0	Copyright Notice
        Part 2 Systems
    	9.0	High Fidelity Systems
        Part 3 Sources
    	10.0	CD Players, CDs, Turntables, and LPs
        Part 4 Amplifiers
    	11.0	Amplifiers
        Part 5 Speakers
    	12.0	Speakers
        Part 6 Rooms
    	13.0	Listening Rooms and Houses
        Part 7 Recording
    	14.0	Recording
        Part 8 Wire
    	15.0	Wire
        Part 9 Retail
    	16.0	Retail
        Part 10 Mail Order
    	17.0	Mail Order
        Part 11 Networking
    	18.0	Net Protocol
        Part 12 The Press
    	19.0	The Press
        Part 13 Misc
    	20.0	Miscellaneous
    
    2.0 Organization:
    
    This FAQ is divided into a preamble and a list of subjects. Each
    subject is described by a list of questions and answers. Some 
    questions have no answers yet. That's life.
    
    This FAQ is split into 13 individual postings. This FAQ also references
    a frequent posting of sources for audio via Mail Order. That list is
    maintained by nau@SSESCO.com (William R. Nau). Contact Mr. Nau directly
    for information or corrections to that posting. The list is also
    available via FTP in the /pub/Rec.Audio directory of ssesco.com
    as file Mailorder.txt
    
    Lines beginning with "|" are new since the last version of the FAQ.
    
    3.0 Purpose:
    
    The purpose of this FAQ is to address frequently-asked questions as a
    whole, so that rec.audio.* volume can be reduced. Towards this end, we
    assembled a list of common questions, and some general answers to these
    questions. Audio is part science and part art, so some of the answers
    are objectively correct, while others try to open-mindedly present both
    sides of a subject.
    
    4.0 Omissions:
    
    Many valuable things have been left out of the FAQ. In part this is 
    because there is just too much to say about audio. In part, this is 
    because the general reader doesn't need that much detail. Also, some
    things were omitted because they are too controversial or inflammatory.
    
    5.0 Credits:
    
    This FAQ is the work of many people. Allow me to thank everyone who 
    helped now. Some of the contributors to this FAQ are listed below. 
    Others have made great contributions, and are no less appreciated.
    
    	andrew@research.att.com (Andrew Hume)
    	jj@research.att.com (jj)
    	Ken Kantor of NHT
    	neidorff@unitrode.com (Bob Neidorff)
    	Rick Oakley (no internet access)
    	DPierce@world.std.com (Richard d Pierce)
    	P.Smee@bristol.ac.uk (Paul Smee)
    	gabe@panix.com (Gabe M. Wiener)
    
    6.0 Errors and Corrections:
    
    If you have a correction to the FAQ, additional information, or a new
    topic for the FAQ, please send e-mail to neidorff@unitrode.com describing
    your thoughts in detail. Please include your e-mail address in your
    submission, so that we can stay in touch. Every submission will be
    considered for inclusion in the next release of the FAQ. This FAQ will
    be reposted every month.
    
    7.0 Disclaimer:
    
    Everyone's human. Nothing is perfect. The people who wrote the
    information here put varying amounts of research into their work. 
    To the best of my knowledge, no one made any contribution or comment
    because of a vested interest.
    
    Audio is a very lucrative and competitive industry, filled with honest
    companies, aggressive marketing people, people who stretch the truth
    very thin, excellent products, and lousy products. We tried hard to
    screen the hype from valuable data. If we insulted, omitted, or
    otherwise disturbed you, your company, your product, or something 
    you feel strongly about, please let me know.
    
    The information here attempts to paraphrase a large portion of the
    information exchanged in rec.audio newsgroup discussions. At times,
    people will make recommendations or suggestions to others on some of
    these newsgroups. Some of these statements are included here because
    we have been asked to include statements of that sort. These
    statements, and everything in this document are the opinions of various
    people. Nothing here is intended as recommendation or suggestion.
    
    Further, no matter how it is worded, nothing here should be taken as
    fact. The authors take no responsibility for any use of this
    information.
    
    8.0 Copyright Notice:
    
    The information contained here is collectively copyrighted by the 
    authors. The right to reproduce this is hereby given, provided it is 
    copied intact, with the text of sections 1 through 8, inclusive. 
    However, the authors explicitly prohibit selling this document, any 
    of its parts, or any document which contains parts of this document.
    
    --
    Bob Neidorff; Unitrode Corporation  |  Internet: neidorff@unitrode.com
    7 Continental Blvd.                 |  Voice   : (US) 603-429-8541
    Merrimack, NH  03054-0399 USA       |  FAX     : (US) 603-429-8564
    
    Note: Unitrode Corporation has openings for Analog and Mixed
    Signal Design Engineers in Merrimack, New Hampshire.  If
    interested, please send resume in confidence to address above.
    


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