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| Jazz |
| Gerri Allen |
| Coletrane, Alice |
| Count Basie |
| Jarrett, Keith |
| Pederson, Niels-Henning Orsted |
| Anthologies |
| Gerri Allen | |
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Geri Allen: Eyes in the Back of Your Head Blue Note 7243 8 38297 *** Order online at Amazon *** Modern, Fresh, small ensemble piano jazz by a young artist that avoids clichés and features veteran Ornette Coleman and trumpeter Wallace Roney. |
| Count Basie | |
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Count Basie: The Complete Atomic Basie Neal Hefti, arrangements; 1957; Roulette (Blue Note) 7243 8 28635 *** Order online at Amazon *** Count Basie: One More Time Quincy Jones, arrangements; 1958; Roulette (Blue Note) 7 972712 out of print. Click here to try half.com Count Basie: The Best of the Roulette Years Roulette (Blue Note) 7 97969 *** Order online at Amazon *** The Double Six recording has led me to the subject of Count Basie and some essential jazz recordings. Which Basie to buy? Well, the best period for soloists (like Lester Young) were the 40s recordings on Decca, but those are lo-fi mono recordings. The early – mid fifties Verves were hifi, but somewhat less than inspired performances in my book. By the late 50s, moving into the stereo era, Basie appeared to take a fresh breath of life with the help of young arrangers and produced his best ensemble work and many of his most memorable tunes. With more modern stereo sound (though not state-of-the-art), the Roulette years achieve Basie’s optimum combination of artistic performance and sound. Both The Atomic (mono) and One More Time (stereo) are ‘must haves.’ ‘Atomic’ is in print; ‘One More’ isn’t, but you need to track it down. The Quincy Jones arrangements are at once delicate and refined; yet convey the slam and impact of the Basie Band. The Complete Atomic Basie is a more loose-jointed, swingin’ affair, equally appealing for different reasons. Soloists are more prominent on these sessions. You’ve gotta’ hear Eddie “Lockjaw” Davis’ gut bucket tenor solo on “Flight of the Foo Birds.” Finally, if you’re not sure you even like big band jazz and want a sampler, the Best Of CD seems to have 20 of the tunes I’d pick from about a dozen Basie albums done for that label. - Russell Novak
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| Alice Coletrane | |
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Alice Coletrane: Ptah, The El Daoud Impulse 201 *** Order online at Amazon *** Trans-hypnotic cosmic unity, universal oneness, and navel gazing. Line up your prayer books, get your gurus, and space out to this lush 1970 meditation - Russell Novak |
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Keith Jarrett: The Melody At Night, With You Keith Jarrett, piano; 1999; ECM 1675 *** Order online at Amazon ***
Eschewing heavy improvisation, Jarrett sticks to the melody, yet imparts a jazz feel to timeless classic ballads. Jarrett’s ever-so-slight delay in striking the keys draws the listener into the tune in anticipation of the next note and imparts a sense of yearning. It strikes me that this album would also make a good introduction for those not normally attuned to jazz.
- Russell Novak
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Niels-Henning Orsted Pederson: Friends Forever Pederson, bass; Renee Rosnes, piano; Jonas Johansen, drums; Milestone MCD 9269 *** Order online at Amazon *** Born in Denmark, Pederson has played American jazz with the best since 1961. He collaborated with pianist Kenny Drew, to whom this album is dedicated, issuing many records on the Steeplechase label. Niels-Henning is a tasteful, subtle bassist, not a show boater and his playing here is better than ever. The real surprise is Canadian born pianist Renee Rosnes, who has 6 other recordings in print, but who is new to this writer. I love her technique. Like all the great ones, she can, at times, play slightly behind the beat to draw the listener to the music. Her touch communicates a yearning quality on the ballads. The trio develops empathy every bit as tangible as the Bill Evans/Scott LaFaro or Keith Jarrett/Gary Peacock units. There is a good mix of tempos and the music stays instinctive and spontaneous. Sound is superior, naturally miked, capturing the classic piano trio with ambience and good dynamic range. - Russell Novak |
| Anthologies | |
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The Prestige Legacy, vol. 1: The High Priests Miles Davis, trumpet; Thelonious Monk, piano; Sonny Rollins, John Coltrane, and their ensembles; Prestige 24251 (1951-1957, monaural, 16 tracks) *** Order online at Amazon *** |
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The Prestige Legacy, vol. 2: Battles of the Saxes Sonny Rollins/John Coltrane, Gene Ammons/Sonny Stitt, Oliver Nelson/Eric Dolphy, Eddie “Lockjaw” Davis/Johnny Griffin, and more with their ensembles in saxophone “blowing sessions;” Prestige 24252 (1950-1964, 11 tracks, half monaural, half stereo) *** Order online at Amazon *** I don’t normally advocate purchasing anthologies because the original album “concept” is short circuited and the collector ends up duplicating a bit of the material, should he go on to collect the artist. However, many audiophiles in the year 2000 may be sufficiently removed from the dawn of the modern jazz/hifi/stereo era – the period from which this material is drawn - that a primer is needed to familiarize younger generations with just exactly what these guys sounded like. These Prestige recordings will do that for you, and better yet, all the artist’s recordings are in print on the Fantasy/Prestige OJC family of labels at less than full-line price. Volume 1 contains some of the classic performances of the great names. Volume 2 showcases the great sax soloists in exciting, highly energetic, up-tempo “battles” or “cutting sessions,” essentially opportunities to out-improvise, out-perform their session partner. What is there to say? These are the superstars of jazz, most of them with their first label, in the full-blooded, youthful exuberance of their careers. If you don’t know the material, you need to. If you’re just casually interested in jazz, just learning, or cautiously experimenting, get these CDs. - Russell Novak |
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